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CINEMA / Night Bus by Davide Marengo

[pellicole -26]

(ad Antonella, amica e confidente preziosa)

"Notturno bus", è un film di Davide Marengo uscito nella stagione 2006–2007 ed è tratto dall’omonimo romanzo di Giampiero Rigosi. La storia racconta l’incontro-scontro tra Leila, una affascinante Giovanna Mezzogiorno, bella e giovane falsaria che vive di piccoli furti e truffe, e Franz interpretato da Valerio Mastandrea, ingenuo e generoso autista di autobus con la passione per il poker, che ad un passo dalla laurea in filosofia ha mollato tutto per la sicurezza del posto fisso. Due solitudini, due vite a metà che, per un puro disegno del destino, si trovano loro malgrado imbrigliate in un complesso e pericoloso gioco di potenti senza scrupoli, servizi segreti deviati e non, piccola e grande criminalità. E come in una favola i due ragazzi insieme riescono a ritrovare il bandolo dell’intricata matassa e a risolvere l’impasse della propria esistenza, salvo poi per il finale, triste epilogo. "Notturno bus" è una miscellanea di tanti generi: si passa dalla commedia, all’azione, al noir fino ad arrivare the pure sentimentality. Each item is well balanced, and the pace remains constant throughout the film. A strange cocktail, which combines the laughter to reflection, but the end result is winning. The protagonist of the film is unintentionally Franz, a disillusioned and neurotic bus driver. On a night like so many Franz is an encounter that will forever change his life at a bus stop will be acquainted with the mysterious Leila, a strange girl on the run from no one knows who and wearing a disguise to avoid being recognized. Remained stunned and charmed by Franz hosts the girl to his house, not realizing that in reality they have been unwittingly seduced and deceived. Leila fact altri non è che una bugiarda truffatrice, inseguita da due loschi personaggi che non hanno buone intenzioni nei suoi confronti, oltre che da uno svampito agente dei servizi segreti. Cercando rifugio nel Notturno Bus intreccerà inevitabilmente la sua vita con quella dell’uomo che, inizialmente, vede soltanto come una via d’uscita, ma col tempo fra i due nasce un amore. Franz è un conducente di autobus che anche nella vita ha sempre guardato nello specchietto retrovisore. Una notte sul suo bus deserto incontra per caso questa ragazza in fuga coi boccoli rossi e i piedi scalzi. Non fa in tempo a negarle una sigaretta che la donna si è già liberata della sua parrucca e si è infilata nel suo letto, ma soltanto per avere un posto in cui passare the night and hide. The charming woman with cat's eyes is in fact a shrewd liar and con artist whose first shot goes back to when he was three. Pursued by a pair of grotesque killer, and the violent caciarone Pink, and the brief and ruthless torturer Diolaiti weak stomach, as well as a romantic secret service agent, the girl on the bus at night to seek protection Franz "Lionheart" as she calls it. He, not a philosopher, "typically cowardly" according to his own admission, in turn, hunted for gambling debts by a madman named Tweety basically good, with poor results will withstand years of therapy after what he framed as the prototype Women's wrong. Leila is a girl with no roots who lives hand to mouth, small and petty theft scams, a lonely, very seductive, in a perennial struggle for life and permanent escape from the sincere emotions, which can make it brittle. Franz is a man of deep but passive, one that thinks and acts very little. He left the university to the brink of a degree in philosophy, is the bus driver, locked in a life sleepy bars and old friends. The only evidence the emotions at the poker table, where he regularly lost, so that is exactly hounded by Tweety, but corpaccio canary named by brute, which has a lot of money. Fate pushes Leila and Franz in the middle of a ruthless struggle for a microchip that can ruin a character molto potente. A cercarlo ci sono agenti dei servizi segreti deviati e non. Leila, durante una delle sue piccole truffe, infatti ha rubato senza accorgersene il microchip e si ritrova braccata dagli agenti. Sfugge alla morte per un soffio e si ritrova su un autobus notturno a chiedere aiuto all'autista, Franz, che crede di aiutare una ragazza che si nasconde da un fidanzato tradito e quando capisce in che pasticcio è finito è troppo tardi: ormai è stato individuato come complice ed è costretto a continuare la fuga insieme a Leila. Questo bel film inizia con uno squillo minaccioso di un telefono che accompagna i titoli di testa, in bianco, che appaiono progressivamente su sfondo nero. Dedicato a Gillo Pontecorvo è il lungometraggio di finzione ad opera Davide Marengo, in whose art curriculum, as well as music videos, commercials and short films are "Craj", a documentary on folk music from Puglia. And, not surprisingly, just hit the music of Mario Rivera and Gabriele Coen, to which are added "I lost" and "The Paranza" Daniele Silvestri, seem overwhelmingly prevail among the protagonists of the story. While the film runs one immediately realizes that, despite the obvious ironic side, especially given the jokes funny stoned by Franz - Mastandrea, the type of show that runs in front of our eyes shows the features of a mix aimed at involving different genres, from action to romantic comedy story. Among Shadows faces and a charming photograph in the blue night sequences this film seems to end, but not really going to end just as you would expect from a modern fairy tale ends ... grotesque tones which I found very beautiful and suitable for describing a "sort "similarity of certain events invented but which are sometimes more true of the same reality, as told by Marengo stories like that can happen to us, and how if there captain!

by Mariano Lizzadri

Fatty Pro Rollerblades

CINEMA / In Read a preview of "Into the Wild" Sean Penn in stasis

[-25 films]
“Per non essere mai più avvelenato dalla civiltà, egli fugge, e solo cammina sulla terra per smarrirsi nella foresta” Chris McCandless

E’ finalmente uscito il film “Into the Wild”, di Sean Penn, che tanto attendevamo. “Into the Wild” si rifà alla storia vera di Chris McCandless, raccontata nel libro pubblicato in Italia da Corbaccio “Nelle terre estreme” di Jon Krakauer. Sulla qualità tecnica del film non mi dilungo; basta dire che è davvero bellissimo, uno dei film migliori usciti negli ultimi anni forse… “Into the Wild” si presenta come la storia of a journey, a classic road trip on the roads of the immense American West, with a precise destination, Alaska, with its vast wilderness, which becomes the ideal destination and also the epilogue of the adventure . Chris McCandless is but an emblem of the many crazy dreamers and romantics who have tried the dream in the wilderness of their liberation. Chris is a special boy, who grew up in a wealthy family, who can not bear the emptiness of the duties and conformism of bourgeois expectations as a career, the consumer objects which surround the layer of stable family relationships, but which in reality hide hatred and misunderstanding. Chris is a guy who wants to flee from all this and look at the nature and wandering aimlessly in the opportunity for genuine liberation and experimentation of pure vitality, the opportunity to come face to face with himself. Before leaving, give all his savings to charity and will get a new name: Alex Supertramp. In his long wanderings, which lasted two years, will meet many people, all will be affected by the playful and friendly character of Chris, and he, as is also shown in the film, will remain in the hearts of many people. Meet hippies and farmers, will travel on the underground train carriages such as Jack London's "The Road" will meet a girl who will love him, and in the end only an old and tired, he would like to take Chris as a child or grandchild. Perhaps the relationship of friendship that develops between the old and Chris is one of the most poignant of the entire film (and thus the whole true story). Chris encouraged the old man out of the solitude, to open our eyes to the greatness and beauty of the world, to move and travel. In the spring, Chris has the opportunity to finally realize his dream: to live for a certain period of time alone in the wilderness, finding food by hunting and gathering. Will camp in an old bus abandoned in the forest, which will become in some way, its "base camp". Chris began his adventure in a (deliberately) unprepared, without a map of the area, with little food and little equipment. Perhaps her desire was to succeed, with his stubborn will to survive in nature with very little. But perhaps there was an unconscious desire to want to be overwhelmed by nature, a kind of hidden desire for annihilation, but this still is not made explicit in the decision of those who seek solitude in the wilderness, and be subject to all sorts of danger. Certainly McCandless, even if reckless, not aspired to suicide. His personality, however controversial, led him to be theatrical and playful. Mc Candless has not sought the death: he was instead in love with life and what's in it more beautiful and majestic. Mc Candless sought authenticity and truth, and his principles involve the exaltation of life and not the retreat to themselves ol'autocommiserazione. It 'a spirit that reminds a lot of Jack London. Not for nothing Jack London was one of the favorite writers of Chris and if you like, even his own story, especially in the dramatic final stage, reminiscent of the great American writer, some stories, where men are confronted with the struggle for life , in 'harsh Yukon wilderness. Mc Candless can spend sixteen weeks alone, living only on hunting and gathering. Annotate sulle pagine bianche di un libro di botanica l’esito delle sue battute di caccia e di raccolta. Dopo circa due mesi Chris aveva deciso di avviarsi sulla strada del ritorno. Ma c’è un imprevisto: il fiume che aveva guadato al suo arrivo con relativa facilità il mese prima è ingrossato dalla piena. Non può guadarlo e decide di ritornare indietro al pulmino abbandonato. Se avesse avuto una carta della zona, avrebbe visto che pochi chilometri più sopra probabilmente il fiume avrebbe potuto essereattraversato. Le settimane successive vedranno un calo della selvaggina nei dintorni. Mc Candless è costretto probabilmente a cibarsi di radici e bacche selvatiche. A questo punto commetterà un errore che gli costerà la vita: mangerà, mistaking it as a species edible, some poisonous wild berries, which earned him weakness and malnutrition. Chris was a scholar of wild plants and had brought with him his hand. But nature is unpredictable and sometimes escapes our classification and categorization. Not having the strength to hunt or groped for the back, Chris's life is bound to a tragic fate to die of hunger alone. The nature that enhances its beauty and its mystery has a core which is defined as the state director Werner Herzog, from "chaos, conflict and death." Nature is not idyllic at all, because it overwhelms us with its strength and destroys us ... but perhaps good to see in this is its charm and its irresistible lure. Any negligence committed by man, the Wild can not be fatal. The beautiful final scenes of the film show this aspect, with the young McCandless only to reflect on his condition, while outside, in the natural world, continues its ruthless struggle for survival. Carcass of a moose killed by the boy in order to preserve the meat, it is invaded by worms; rush a pack of wolves and an eagle to share the spoils ... A bear huge step in the neighborhood, next to death and Chris ... danger is always lurking ... At the end of their tether by now aware of dying, highlight a phrase from a book of Pasternak (who along with Toltstoj and London is one of his favorite writers): "if it is true happiness can not be shared." We can not escape from civilization, abandoning the family and in general people who love us, chasing a dream of freedom that the end can not be utopia. Chris had understood it and wanted to go back, it was just a tragic fate that he could not return to the civilized world to witness his love for life and the beauty of nature. Chris will be a hero to some, for others a fool or naive. Surely in a world of hypocrisy and poor in ideals such as ours, its shape can only inspire sympathy and thanks ... can we afford to judge a young man who tried life in the "truth" and "authenticity"?

by Saverio De Marco

South Park Streaming.fr

Antonella Pizzo and irregular lines of the instant eternal

[-8 literature]

"I am for you, the dawn and intact day" Ungaretti

This is Antonella Pizzo a feverish, visionary book that makes its way subtly and enters into the pores of the skin and breath. As air and wind. As the rain beats.
button. Incisive, disarming.
born from a project by cutting strictly private and autobiographical, dotted moments of lyrical prose and inspiration of great pathos, which runs "in a space that is not more space / in a place that is no longer necessary."
dedicated to Martin, the daughter who died prematurely in a car accident. Mostly a bit 'to all women and mothers' womb shrunken "which cry.

"Mothers cry for vengeance
every bone broken for every tooth
there will be at St. Nicholas
and money under the pillow ..."
(p.31)

E 'sorrow and heartfelt soul meat that passes through the collection "in stasis irregular", weighing punching the palms, which empties the orbits of dust in the blood or blood in the dust, the needles and nails driven through the wrists and ankles, because the pain of losing a child is the greatest in which the human being, and a mother specifically to meet the most difficult to sustain.

"... oh, and white linen wide horizontal bones bones bones

oh
pale chestnut hair and milk bones to
oh lunettes red
orbits emptied and vertical bones bones bones

where my blood, where my flesh, where the my bones
life I was torn on
like a sheet of paper here is an ash-colored
asleep in the shelter crck
and often yearn for a transparent glass. "
(p.11)

Here then is the way of a shipwreck and a "passion" with no escape, an ordeal that sometimes verges on the trespass and go beyond the line. A requiem. A poetic journey that winds through the streets being dark and not being, life and death, transience and eternity, between splendours dream, memories, fantasies rooted in everyday things and objects "his name broadened to excess and / lay / down a blind alley. "

"How I wish you came to visit me at night when the wind
heavy

hangs himself at the window when the vinegar becomes a habit and under the sheets
pain was prayed for hours and hours in the next grain
if you
you get closer to my door with the dirty clothes in the pockets of land

fat earthworms with your four bones in his hand
of bones in the hand and the empty sockets
with a handful of teeth to be counted one by one
not you be afraid of the sound of castanets
broken shells underfoot

I embrace you plan not to upset your delicate texture
but if you come back empty at night and fills you with leaves and straw and
empty and still in her hair and even flowers to necklaces
beam still intact as when
t'allontanasti without asking
if you could leave me rolling my eyes and kisses of a mother as well. "
(p. 41)

And the invocation of the dream of return. Pain of a "carnal" that flattens out and does not flatten on the back, but that gives life, power, energy, digging, you grab and look, that hungry swallows "the slow movement," détente "," peace- ". The inability of a resignation.

"Here comes the day, the night has passed already
morning, it snows in some places, and is a joy
but here there is this silly
rain that does not console and not soften the torments
rather multiplies them in a thousand drops erosive
and every drop that falls on the skin
opens a plague infects "
(p.60)

But from this perspective of stasis irregular, can not escape the attention in this beautiful and emblematic text on the back. Of the plot and the fulfillment of a circular dish. The return to being naked (barefoot and thin). The return to the mother. From mother to daughter.

"I went to my mother's bare feet, lean
with a long shirt, sleeveless

knocked on her door she was doing a thorough pedicure
under a yellow light steel lime
attention to the eye partridge in a memory
hardened, pain never eradicated
go home at night, distracted
a rain water, then go back in time to seek the keys

urgency, could not wake up and find the

my soft fat that my turn in the bed quietly reassuring
go home with a canoe, a pirogue
in the belly of a great ship
slip away in the middle of the outstretched arm

keys hanging in the air. "
(p. 45)

There is so much to say and keep quiet about these verses "sacred" soul, but on the back cover photo, the metaphor of the vortex, a scale / white spiral on the one hand narrows in the eye hole / black bottomless, on the other is free in a space that surrounds, encompasses and embraces and goes beyond. Besides the cover, as well as sheets, as well as the verses themselves. In addition.

Antonella Pizzo, irregular in stasis
Foreword by Gregory Scalise, afterword by Ivan Fedeli
Voices of the Moon Poetry Prize
Renato Days, published in 2007
viadellebelledonne

by Maria Pina Ciancio